A poem by Po Chu-I

In The Mountains

It will come: the great transformation of seas to mulberry fields.
Heaven and earth seething, all wind-churned swells and billows,

feasting whales and battling dragons will turn the waves to blood.
But what do these fish know, happily wandering a deep stream?

By Po Chu-I, translated by David Hinton.

Two Chinese Poems

Bamboo Midst Cottage

Sitting alone in silent bamboo dark,
I play a ch'in, settle into breath chants.

In these forest depths no one knows
this moon come bathing me in light.

By Wang Wei, translated by David Hinton.

Bamboo Mountain's Eastern Pond

In a small pond east of Bamboo Mountain Terrace, fresh
water lilies and duckweed, a confusion of early green.

I'm a wanderer here, and taking a lamp out past midnight,
I find a pair of egrets startled away, snow-white in flight.

By Po Chu-I, translated by David Hinton.

Chinese Poems

On Reaching the Ju River Dikes,
Sent to My Friend Lu

Road-weary, giving the horse a break,
I find myself gazing at Ju River dikes.

The Lo River is open now, free of snow.
On Sung peaks, twilight clouds linger,

trailed halfway across empty skies, lit
colours surging elemental and swelling.

I'm sending here this moment of itself-
how it keeps unfurling, unfurling.

Autumn Night, Setting Moon

Poised low in emptiness, a radiant moon
glistens incandescent in a drop of dew.

Trying to settle in, magpies startle away.
Fireflies float through open blinds, cold

shadow sparse in courtyard scholar-trees.
Fulling-stick rhythms tighten next door.

How will we ever meet in a land so vast?
Lingering out emptiness, I gaze and gaze.

A Farewell for Tu Huang

water weaving Ch'u and Wu into a single home village,
you set out on a spring river. It's all so vast and vague,

and your sails: when night falls, they'll rest at anchor
along the edge of heaven, that slice through the heart.

After Visiting Thought-Essance Monastery,
I return with White-Cloud Wang Following
Somewhere Behind

I left high valley long before midday,
and twilight was fading when I got home.

Looking up the mountain road, I find only
oxen and sheep. My gaze grows reverent.

Woodcutters lose each other in darkness,
the evening chill silences a last cricket,

and I still haven't closed my bramble gate.
I keep lingering, expecting you out there.

Out on the Road, Skies Clearing
 though I've left Pa's ridge rain behind,
I'm not free of Shu's muddy slopes

when skies open out, late light aslant,
mountain peaks breaching low clouds.

In grasses, everywhere, rainfall glistens.
Trickles keep stream swelling. Tonight,

a cold moon will light thoughts of home,
aching across such distances, distances.


All poems by Meng Hao-jan, translated by David Hinton.

Waiting for Ch'u Kuang-i, Who Never Arrives

The gates are already open. It's morning.
I rise and listen to passing carts , hoping:

when I hear your crystalline waist-jewels
clittering, I'll hurry out to welcome you.

A monestery bell sounds through gardens.
Sparse rain drifts across the spring city.

Realizing we won't see each other, I gaze
through windows, empty out anticipation.

Farewell

Here in these mountains, our farewell over,
sun sinking away, I close my brushwood gate.

Next spring, grasses will grow green again.
And you, my old friend - will you be back too?

Both poems by Wang Wei, translated by David Hinton.

Hsiang-Yang travels, Thinking of Meng Hao-jan

Emerald Ch'u mountain peaks and cliffs,
emerald Han River flowing full and fast.

Meng's writing survives here, its elegant
ch'i now facets of changing landscape.

But today, chanting the poems he left us
and thinking of him, I find his village

clear wind, all memory of him vanished.
Dusk light fading, Hsiang-yang empty,

I look south to Deer-Gate Mountain, haze
lavish, as if some fragrance remained,

but his old mountain home lost there:
mist thick and forests all silvered azure.

Night in the Palace with Ch'ien Hui

When the water-clock sounds three times, I realize it's midnight.
Lovely wind and cold moonlight everywhere in pine and bamboo,

we sit here in perfect idleness, empty and still, saying nothing:
just two people in the shadows of a medicine tree, just two people.

Visiting the Recluse Cheng

Having fathomed Tao, you went to dwell among simple villages
where bamboo grows thick, opening and closing your gate alone.

This isn't a mission or pilgrimage. I've come for no real reason:
just to sit out on your south terrace and gaze at those mountains.

Reply to Yuan Chen

You write out my poems, filling monastery walls,
and I crowd these door-screens here with yours.

Old friend, we never know where it is we'll meet-
we two duckweed leaves adrift on such vast seas.

All poems by Po Chu-I, translated by David Hinton.

Chinese Poetry

Returning Home to Deer-Gate Mountain At Night
As Day Fades into dusk, the bell at a mountain temple sounds.
Fish-Bridge Island is loud with people clamoring at the ferry,

and others follow sandy shores toward their river village.
But returning home to Deer-Gate, I paddle my own little boat,

Deer-Gate's incandescent moonlight opening misty forests,
until suddenly I've entered old Master P'ang's isolate realm.

Cliff the gate, pines the path - it's forever still and silent,
just this one recluse, this mystery coming and going of itself.
Meng Hao-Jan (Ran): The Mountain Poems of Meng Hao-Jan, poem translated by David Hinton.

Mourning Yin Yao
Returning you to Stone-Tower Mountain, we bid farewell
among ash-green pine and cypress, then return home.

Of your bones now buried white cloud, this much remains
forever: streams cascading empty towards human realms.
Wang Wei: The Selected Poems of Wang Wei, poem translated by David Hinton.

Reading Ch'an Sutras
In all difference appearance reveals, there's no difference,
and even dwelling beyond any trace of residue is itself residue.

Forget words in the midst of words, and you will see through it all.
Root out dream in the midst of dream, and you double abscence.

But how can you harvest fruit from the blossoms of emptiness,
and how can you catch a meal of fish in some lakewater mirage?

To still relentless change is Ch'an, and Ch'an is change itself.
No Ch'an and no change - there lies what seems in what seems.
Po Chu-I: The Selected Poems of Po Chu-I, poem translated by David Hinton.

At the Hua – Shan hermitage of adept Ma Tai
Jade Woman,
"washing her hair in a basin,"
is solitary, high,
indescribable.

Waterfalls spill
from Lotus Peak's summit;
the Yellow River
sweeps past the base of Mount Hua.

Here, small birds break off;
the woods conceal tigers;
gibbons liver
where no people do.

After rain;
the autumn moon;
on rock;
old pines and a gate.
Chia Tao: When I Find You Again It Will Be In Mountains, poem translated by Mike O’Connor.

Written on the Wall at Master Wei Feng’s
The grassy path
Leads to deep cloister.
Arriving in Autumn
Eases my heart
Even more.

In town
No one I've known long.
Outside the gate, another mountain.
Exploring the silence gives poetic
Thought birth. Fasting
Confers a sick look.

On freezing nights
You arrange to meet me often:
Silent talk beyond
Human Space.
Pao Hsien: And the Clouds Should Know Me By Now, poem translated by Paul Hansen.